Has it really been a decade since we opened in Oregon? No. Actually, it’s been 9 years. Summer, 2008 I landed out here after a few years of research and prep just in time for the roughest economic face plant many of us have known (and I’ve known 4 others in our 30 years).
I liken that whole beginning to parachuting out of an airplane amidst blue skies into a thick but fluffy-enough bunch of clouds. Once inside, there was some suggestive bumping about, some troublesome turbulence, but not a clear sign yet of what lay ahead. Then suddenly I break through those clouds and the scene below me opens like a battlefield movie: burning buildings, scorched earth, hungry villagers with widening eyes and the air full of acrid smoke. (Yes, yes I’m exaggerating for effect. There were no burning buildings.)
That was the starting of our west coast effort at the beginning of that darned big recession. In looking back, it might have been better to hang out on the beach for 4 or 5 years rather than make the effort we did to build our business in such a setting. But I am neither prescient nor idle, and so work we did.
…and we’ve made great progress, and well, we’re pretty glad we didn’t just hang out on the beach. I would have gone insane.
Sean seems to be our resident selfie expert. Here he captured himself along with a few of the rest of us west coasters: Darren, Richard La Trobe (artist and bridge maker), me, David, and Quinn.
Phil and Rocio with their new Aussie pup Sherlock.
Thanks, Phil and Rocio. Little did you know how perfect your timing was when you came to us and asked for a “small but perfect home”. Fertile ground indeed, and my mind raced with the many recent thoughts about working on something like a precious gem, or what we’re calling a NEW Jewel.
So many of our clients now are building smaller homes because they simply don’t need a bigger one. Seems smart for many reasons: less vacuuming, less heating and cooling, less taxes. And for many, less strain on the finances as we get to the point where retirement shines bright and hopeful.
Grab a stool and a cutting board, or a plate, or a pencil, or a toothpick, or a tablet, or…?! Welcome to the kitchen island. Food prep, snack counter, breakfast bar, coffee cafe, homework hub, central party point, family communication center—its uses are nearly limitless.
Dining, meeting, drafting, sewing, displaying—the table is one of our most versatile pieces of furniture. They range in size, use, and style—across cultures and materials. Small functional bedside tables, wide ornate coffee tables, grand formal dining tables: each personal and flexible to nearly any imaginable design.
In this New York home, two wide reclaimed Elm thresher boards were bookended, butterfly joined, and placed atop a custom fabricated metal base.
For over two decades our fine woodworking group, NEWwoodworks, has been designing and crafting all varieties of tables, working out nuances and integrating creativity with functionality. Wood is this team’s preferred medium, be it antique reclaimed, live-edge, or newly sawn. Celebrating the beauty of the wood is instinctual with these craftsmen.
Headed for its new life as a bar height community table, this creation has intentionally selected planks from original Foundry Maple flooring with a resin pour finish atop a powder coated custom steel base.
Completed last week, this boat-shaped conference room table has a top crafted from Reclaimed Settlers’ Plank Mixed Hardwoods and a base of what we like to call “Toasted” Oak. Also integrated into the top are three power tilt-ups.
Working alongside our Architectural and Interior Designer, Andrew, the NEWwoodworks craftsmen recently made two tables for our showroom remodel. Both are intended to provide additional work surfaces and meeting spaces for clients and co-workers alike.
The original stamps marking the reclaimed exotic hardwoods are pest free.
Not to be missed is the “suspension” table, an idea that has been percolating in the NEWwoodworks group for some time. Crafted of mixed oak with a dark wash stain, the deep wood color draws attention to the metal suspension components:
Live-edge tables are always intriguing with their organic edges and truly one-of-a-kind shapes. Several tables designed by Rob, manager of our NEWwoodworks group, celebrate live edges and “x” bases in a Kentucky farmhouse:
The root burl of a large walnut tree was carefully maintained to create a live-edge end on this farmhouse table.
Similar to the dining table, walnut end tables have one-of-a-kind live-edges in this Kentucky home.
Figured cherry maintains a live edge with a low height traditional for coffee tables.
Reclaimed wood lends other interesting character marks and hard-earned patinas to any fine woodworking project:
Old French white oak and domestic barrel/vat staves were repurposed into a pier table off the kitchen island, ideally situated for family meals.
Incorporating our torsion box design and a mixture of reclaimed hardwoods, Parsons-style tables offer space for patrons of a Florida-based bank:
In another commercial space, Kindred Fare, a large walnut table with contrasting butterfly joinery and a trestle base (crafted of reclaimed Hemlock) seats 10+:
An extra large, curving edged Settlers’ Plank reclaimed oak conference table easily seats 20+ as demonstrated by some of the NEWwoodworks team:
As we find with any fine woodworking, so much is in the details. Custom designs are made better with detailed execution and specific attention to each wood plank’s grain and character, to overall dimensions, to what base material and style fits best, to the shape of an apron (or not having an apron at all!), to what joinery is applied, to the finish, and much more.
In the details: A reclaimed beech table with live edge, thru-tenon aprons, and walnut pyramid pegs.
The more challenging and more unique, the better for this team. What table is in your imagination? Let us know – we can help bring it to life.
A well-loved ‘timber’ table in the NEWwoodworks showroom celebrates live edges and original mortise pockets in its top, all suspended from heavy Douglas fir timber legs.
A new home build in Pine Plains, NY offers an example of the design flexibility of heavy timber, showcasing contemporary and minimalistic timber framing.
Designed by Amalgam Studio, each bent is open and airy, blending timber and steel. We crafted the bents using double 4×10’s, sandwiching ½” steel plates at critical locations. Powder-coated steel tension tie-rod connections span the width of the home joining the posts together. They bring structural stability while keeping the frame light.
Prior to assembly, each stick received a custom ‘burned’ finish. Charring the Douglas fir creates a deep color tone and raised grain texture. We’re excited to use this old technique to bring a new twist to traditional materials.
This project is aiming for a few awards and possibly Passive House status. We’ll share more as Black Oak Builders finish out the project.
Special thanks to Ben Albury of Amalgam Studio for the great images and raising video.