The effort to revitalize and create “Natural Play” for the children of RCN an outdoor pavilion/classroom was conceptualized and developed collaboratively with support by local partners including Broccolo Tree & Lawn Care, IDEX Health & Science, and Barton & Loguidice. The outdoor pavilion/classroom will act as the centerpiece of RCN’s backyard play environment, a new initiative to incorporate more natural, accessible play opportunities.
School has started again and it has us thinking about recess (who doesn’t love recess?) and thereby the playscapes kids enjoy. We began asking what role wood has in these spaces which brought to the discussion a recent project at the Lilac Adventure Zone Playground. A “natural playground” in Highland Park in Rochester, NY by Barton & Loguidice, the space highlights found forms for play and modern pavilions for shelter.
There has been a surge in natural playgrounds [natural playscapes] which inherently focus on wood and the natural landscape. “Biophilic design, connecting with nature, was central to this playground project,” explained Tom Robinson, senior landscape architect, and LEED AP at Barton & Loguidice.
Biophilia. It’s a term that we’re hearing with regularity these days, and that’s exciting! From Edward Wilson’s “Biophilia” meaning ‘the rich, natural pleasure that comes from being surrounded by living organisms’. Research is conclusive that access to nature and nature-inspired spaces help reduce stress and illness. “We’re trying to recreate the experience of playing in the woods, in fields with rocks and sticks. The idea is to encourage exploration and free play with natural materials,” continued Tom.
The playground itself evolved as the natural materials arrived, trees, branches, rocks salvaged from other park project renovations. “The elements within the playground tend to change and morph as materials initially arrive, and as time passes and elements need to be removed/replaced.”
For years I’ve resisted writing this post. It can come off as very self-serving. Please don’t let it. Instead, I’ll attempt to be as neutral-valued as I can, and share some of my 30-year history, and perhaps just a tad of the experiences, and sometimes frustrating stories, our clients have shared…and some that I have witnessed.
The timber frame industry has a great many good people in it, associated with it, and as I’ve often said, many of the coolest clients I can imagine. So first, think about a timber framer who is involved with the Timber Framers Guild. At our Guild conferences and our meet-ups, in the committee work we do, in the publications we create, two important things occur: we learn, and are better professionals because of it; we share, and our craft is better for it. In both cases you win.
And when you ask, “Is your company a member?” be sure to dig just bit deeper. Do you attend the conferences? Do you send your shop folk and your designers? Do you give, as well as receive?
To say that Timberline Lodge is a good location for the Timber Framers Guild is akin to saying that the Grand Canyon is an attractive hole in the ground. Timberline Lodge, on Mount Hood, is the perfect location for this community of like-minded individuals and companies to come together and gain new knowledge from each other and from the wisdom of those that built this magnificent structure at the height of the Great Depression working for the WPA. Timberline Lodge was built scrappily using site sourced rocks and trees and reclaimed materials including telephone poles turned into carved newel posts on the stairs and fireplace andirons made from an old railroad track. As was said by The Builders of Timberline Lodge, Federal Writers’ Project, “Each workman on Timberline Lodge gained proficiency in manual arts. He was a better workman, a better citizen, progressing by infinitely slow steps to the degree above him.” So does the Guild, and these conferences, build each of us into better craftspeople.